09816bb9 |
1 | #title A Not So Fancy Listing of Books |
2 | |
3 | |
4 | * Douglas Adams |
5 | |
6 | |
7 | |
8 | ** Hitchiker's Guide to the Galaxy (collected) |
9 | |
10 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction* |
11 | |
12 | |
13 | |
14 | |
15 | ** The Long Dark Tea-Time of the Soul |
16 | |
17 | *Rating:* <class name="rating-good"> ••••••</class><class name="rating-bad">•••• </class> (6) / *Fiction* |
18 | |
19 | |
20 | |
21 | |
22 | * Aeschylus |
23 | |
24 | |
25 | |
26 | ** Oresteia |
27 | |
28 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
29 | |
30 | |
31 | |
32 | |
33 | ** Prometheus Bound |
34 | |
35 | *Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Fiction* |
36 | |
37 | |
38 | |
39 | |
40 | ** The Persians |
41 | |
42 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction* |
43 | |
44 | |
45 | |
46 | |
47 | * John Allison |
48 | |
49 | The author of the rather amazing [[http://scarygoround.com][Scary Go Round]]. |
50 | I highly recommend procuring the printed collections; the printing |
51 | quality is superb (full color on glossy paper), and the long story |
52 | arcs are much easier to read. |
53 | |
54 | ** Looks, Brains and Everything |
55 | |
56 | *Fiction* |
57 | |
58 | |
59 | |
60 | |
61 | ** Blame the Sky |
62 | |
63 | *Fiction* |
64 | |
65 | |
66 | |
67 | |
68 | ** Skellington |
69 | |
70 | *Fiction* |
71 | |
72 | |
73 | |
74 | |
75 | ** The Retribution Index |
76 | |
77 | *Fiction* |
78 | |
79 | |
80 | |
81 | |
82 | ** Great Aches |
83 | |
84 | *Fiction* |
85 | |
86 | |
87 | |
88 | |
89 | ** Ahoy Hoy! |
90 | |
91 | *Fiction* |
92 | |
93 | |
94 | |
95 | |
96 | ** Heavy Metal Hearts and Flowers |
97 | |
98 | *Fiction* |
99 | |
100 | |
101 | |
102 | |
103 | ** Ghosts |
104 | |
105 | *Fiction* |
106 | |
107 | |
108 | |
109 | |
110 | * Anonymous |
111 | |
112 | |
113 | |
114 | ** Chymical Wedding of Christian Rosenkreutz |
115 | |
116 | *Fiction* |
117 | |
118 | |
119 | |
120 | |
121 | * Aristophanes |
122 | |
123 | |
124 | |
125 | ** The Frogs |
126 | |
127 | *Fiction* |
128 | |
129 | |
130 | |
131 | |
132 | ** The Clouds |
133 | |
134 | *Fiction* |
135 | |
136 | |
137 | |
138 | |
139 | ** Ecclesiazusae |
140 | |
141 | *Fiction* |
142 | |
143 | |
144 | |
145 | |
146 | * Aristotle |
147 | |
148 | |
149 | |
150 | ** Ethics |
151 | |
152 | *Nonfiction* |
153 | |
154 | |
155 | |
156 | |
157 | ** Categories |
158 | |
159 | *Nonfiction* |
160 | |
161 | |
162 | |
163 | |
164 | ** Poetics |
165 | |
166 | *Nonfiction* |
167 | |
168 | |
169 | |
170 | |
171 | ** Rhetoric |
172 | |
173 | *Nonfiction* |
174 | |
175 | |
176 | |
177 | |
178 | * Marcus Aurelius |
179 | |
180 | |
181 | |
182 | ** Meditations |
183 | |
184 | *Rating:* <class name="rating-good"> ••••</class><class name="rating-bad">•••••• </class> (4) / *Nonfiction* |
185 | |
186 | At the time, I enjoyed reading this collection of meditations on |
187 | Stoic philosophy, and it was a fairly quick read (fifteen minutes a |
188 | day over the course of two weeks for me). Nowadays I've read |
189 | Epictetus, and I suggest reading his *Discourses* instead. |
190 | |
191 | |
192 | * William Blake |
193 | |
194 | Blake is my [[William Blake][favorite]] of the English poets. His |
195 | unique use of relief etching and watercoloring makes for very |
196 | interesting Illuminated works. There is a very high quality |
197 | [[http://blakearchive.org][complete archive of Blake's works]] online |
198 | with high resolution plate scans and full transcriptions among other |
199 | things. |
200 | |
201 | ** The Four Zoas |
202 | |
203 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
204 | |
205 | The unfinished manuscript of Blake's longest apocalypse. The |
206 | Four Zoas divide from Albion and rage through the ages of dismal woe |
207 | to bring about the end of the cycle of Ulro and restore the cycle of |
208 | Beulah. |
209 | |
210 | |
211 | ** Jerusalem |
212 | |
213 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
214 | |
215 | The finest of Blake's Illuminated works. |
216 | |
217 | |
218 | * Mike Carey |
219 | |
220 | |
221 | |
222 | ** Lucifer (series) |
223 | |
224 | *Rating:* <class name="rating-good"> ••••••</class><class name="rating-bad">•••• </class> (6) / *Fiction* |
225 | |
226 | Of the *Sandman* spinoffs, *Lucifer* stands out as the best for |
227 | the first half, but then the writer appears to take on far too great a |
228 | task, and, with the introduction of some disagreeable character |
229 | relations, fails to execute the story as well as it could have |
230 | been. Still, it was worth reading to the end even though most of the |
231 | stories after issue 35 or so were merely ok. If you like Kierkegaard I |
232 | suggest issues 2, 3, and 62--they show the form of the incommensurable |
233 | relation of the single individual to the absolute perfectly. |
234 | |
235 | |
236 | * Confucius |
237 | |
238 | |
239 | |
240 | ** Analects |
241 | |
242 | *Nonfiction* |
243 | |
244 | |
245 | |
246 | |
247 | * Neil Gaiman |
248 | |
249 | |
250 | |
251 | ** The Sandman (series) |
252 | |
253 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
254 | |
255 | Perhaps the best comic book series of all time; I would say *The |
256 | Sandman* as a whole ranks higher than anything even Alan Moore has |
257 | written. |
258 | |
259 | |
260 | ** Good Omens |
261 | |
262 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction* |
263 | |
264 | A friend of a friend decided one evening that I needed to read |
265 | so-called *normal people books*, and so she lent me *Good Omens*. It |
266 | was an enjoyable read and unearthed vague memories of comic book |
267 | magazines I read when I was small and the name *Sandman*; thus through |
268 | one book I found something far greater. |
269 | |
270 | |
271 | * John Taylor Gatto |
272 | |
273 | Former teacher and now author-activist. |
274 | |
275 | ** Underground History of American Education |
276 | |
277 | *Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Nonfiction* |
278 | |
279 | An interesting *underground* history of the American education |
280 | system. Available |
281 | [[http://www.johntaylorgatto.com/underground/][online for free]]. |
282 | |
283 | |
284 | * Kahlil Gibran |
285 | |
286 | Kahlil Gibran is fairly interesting; his earlier works do not |
287 | agree with my æsthetic sense (blah blah), but *The Madman* onward are |
288 | all rather nice. A few of his works are |
289 | [[http://leb.net/~mira/][online]], but I recommend scouting used book |
290 | stores for old hardcover editions. The (late 90s onward at least) |
291 | *hardcover* versions from *Alfred A. Knopf* are in fact permabound |
292 | paperbacks with a hardcasing, and are of seriously inferior quality to |
293 | the editions from the 50s and 60s (and cost quite a bit more, |
294 | naturally). |
295 | |
296 | ** A Tear and a Smile |
297 | |
298 | *Rating:* <class name="rating-good"> •••</class><class name="rating-bad">••••••• </class> (3) / *Fiction* |
299 | |
300 | One of Kahlil Gibran's earlier works, I did not much like *A |
301 | Tear and a Smile* excepting the last poem ("A Poet's Voice"). |
302 | |
303 | |
304 | ** The Prophet |
305 | |
306 | *Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Fiction* |
307 | |
308 | |
309 | |
310 | |
311 | ** Sand and Foam |
312 | |
313 | *Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction* |
314 | |
315 | An interesting little book of aphorisms. |
316 | |
317 | |
318 | ** The Madman |
319 | |
320 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction* |
321 | |
322 | |
323 | |
324 | |
325 | * Homer |
326 | |
327 | |
328 | |
329 | ** The Odyssey |
330 | |
331 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
332 | |
333 | |
334 | |
335 | |
336 | * Aldous Huxley |
337 | |
338 | Perhaps the most overrated modern writer. Other people have written |
339 | everything he has to write better and many years before he got around |
340 | to it. |
341 | |
342 | ** The Doors of Perception |
343 | |
344 | *Rating:* <class name="rating-good"> </class><class name="rating-bad">•••••••••• </class> (0) / *Nonfiction* |
345 | |
346 | Huxley stains the name of Blake by naming this horrible |
347 | pseudo-scientific and pseudo-poetic essay after a line from *The |
348 | Marriage of Heaven and Hell*. Subjectivity and objectivity are |
349 | incommensurable; his attempt and being subjectively objective is |
350 | utterly worthless. |
351 | |
352 | |
353 | ** Heaven and Hell |
354 | |
355 | *Rating:* <class name="rating-good"> </class><class name="rating-bad">•••••••••• </class> (0) / *Nonfiction* |
356 | |
357 | Blah blah LSD blah blah Mushrooms blah blah Peyote blah blah I'm |
358 | Aldous Huxley I'm a pretentious jerk. Don't bother. |
359 | |
360 | |
361 | * William James |
362 | |
363 | |
364 | |
365 | ** The Varieties of Religious Experience |
366 | |
367 | *Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Nonfiction* |
368 | |
369 | [[William James - The Varieties of Religious Experience][A partially finished extended summary]] |
370 | |
371 | |
372 | ** The PhD Octopus |
373 | |
374 | *Nonfiction* |
375 | |
376 | <quote> |
377 | America is thus as a nation rapidly drifting towards a state of things |
378 | in which no man of science or letters will be accounted respectable |
379 | unless some kind of badge or diploma is stamped upon him, and in which |
380 | bare personality will be a mark of outcast estate. It seems to me high |
381 | time to rouse ourselves to consciousness, and to cast a critical eye |
382 | upon this decidedly grotesque tendency. Other nations suffer terribly |
383 | from the Mandarin disease. Are we doomed to suffer like the rest? |
384 | </quote> |
385 | |
386 | [[William James - The PhD Octopus][Full Text]] |
387 | |
388 | |
389 | * Henry James |
390 | |
391 | The novelist brother of William James; I've not read many (read: |
392 | one) of his books, but what I did was decent. |
393 | |
394 | ** The Altar of the Dead |
395 | |
396 | *Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction* |
397 | |
398 | A short novella about a man who maintained an altar in a church |
399 | for all of his lost loved ones on the surface, but something a bit |
400 | more beneath. |
401 | |
402 | |
403 | * Gregor Kiczales |
404 | |
405 | |
406 | |
407 | ** The Art of the Metaobject Protocol |
408 | |
409 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction* |
410 | |
411 | AMOP is useful as a reference to the CLOS MOP (although less so with |
412 | the online MOP spec), but the true value of the book lies in the first |
413 | half of the book. It presents the design of the CLOS MOP through a |
414 | series of revisions that fix limitations of earlier implementations |
415 | and gradually work toward a generic and well designed MOP for |
416 | CLOS. Through that process one is made more aware of a few general |
417 | object protocol design skills, and gains insight into how to cleanly |
418 | make mapping decisions customizable. |
419 | |
420 | |
421 | * Søren Kierkegaard |
422 | |
423 | Kierkegaard was a master of style and philosophy; his writing is |
424 | interesting even if one finds the theistic extentialism espoused |
425 | disagreeable. |
426 | |
427 | ** Sickness Unto Death |
428 | |
429 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction* |
430 | |
431 | I purchased this when I was looking through books at a store after |
432 | being unable to find the book I really wanted, and I must say that it |
433 | was better for me to have found this one. |
434 | |
435 | Contained within is a beautiful analysis of despair in the context of |
436 | Christianity (really theism in general). Even if the argument offends, |
437 | the presentation cannot. The dialectical nature of despair is |
438 | reflected in every aspect of the work, and the method of presentation |
439 | forces reflection. |
440 | |
441 | |
442 | ** Either/Or |
443 | |
444 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction* |
445 | |
446 | Composed of two portions, *Either/Or* is a rather lengthy but |
447 | rewarding read. The first book is a series of essays and a diary of a |
448 | young esthetician; the second is a pair of long letters from an older |
449 | ethicist friend to this esthetician. You are then left to resolve the |
450 | conflict between the views. |
451 | |
452 | |
453 | ** Fear and Trembling |
454 | |
455 | *Nonfiction* |
456 | |
457 | An interesting dialectical lyric contrasting Despair and Faith. |
458 | |
459 | |
460 | ** Repetition |
461 | |
462 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction* |
463 | |
464 | He who despairs of esthetic repetition gets none; he who despairs |
465 | of ethical repetition receieves the esthetic. Is it true then that no |
466 | repetition exists? Is transition all one can hope for? |
467 | |
468 | |
469 | * Alisa Kwitney |
470 | |
471 | |
472 | |
473 | ** Destiny: A Chronicle of Deaths Foretold |
474 | |
475 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction* |
476 | |
477 | |
478 | |
479 | |
480 | * David Lamkins |
481 | |
482 | |
483 | |
484 | ** Successful Lisp |
485 | |
486 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Nonfiction* |
487 | |
488 | After learning Scheme, I read *Successful Lisp* and was able to |
489 | pick up Common Lisp fairly easily. |
490 | |
491 | |
492 | * Mencius |
493 | |
494 | |
495 | |
496 | ** Mencius |
497 | |
498 | *Nonfiction* |
499 | |
500 | |
501 | |
502 | |
503 | * Walter Miller |
504 | |
505 | |
506 | |
507 | ** A Canticle for Leibowitz |
508 | |
509 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
510 | |
511 | |
512 | |
513 | |
514 | * Alan Moore |
515 | |
516 | |
517 | |
518 | ** Watchmen |
519 | |
520 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction* |
521 | |
522 | |
523 | |
524 | |
525 | ** V for Vendetta |
526 | |
527 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
528 | |
529 | |
530 | |
531 | |
532 | * Thomas More |
533 | |
534 | |
535 | |
536 | ** Utopia |
537 | |
538 | *Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction* |
539 | |
540 | I read most of Utopia in high school with the TI-89 ebook reader, but |
541 | the way the book was split up made it a bit difficult to grasp the |
542 | overall structure. I found a copy at a used book store one day, and so |
543 | I read it again, and found it much more comprehensible. It is a quick |
544 | read, and decent piece of literature. The interesting social system |
545 | espoused resembles resembles state communism (even if perhaps as a |
546 | negative ideal), but with an strange blend of 14th century European |
547 | social customs. |
548 | |
549 | |
550 | * Friedrich Nietzsche |
551 | |
552 | A bit acerbic and esoteric, Nietzsche is for me a good *secular* |
553 | counterpart to Kierkegaard's theistic philosophy. Nietzsche's |
554 | polemical works raise important questions for anyone who reads works |
555 | on ethics. As such it is a shame that he has gotten a bad reputation |
556 | by being read by far too many angsty teenagers who see (and relay) |
557 | only Nietzsche the asshole rather than Nietzsche the master of the |
558 | polemic. |
559 | |
560 | ** Beyond Good and Evil |
561 | |
562 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Nonfiction* |
563 | |
564 | A somewhat more comprehensible, if a bit less aesthetically |
565 | pleasing, presentation of much of the philosophy found in *Thus Spoke |
566 | Zarathustra* in the negative form. The final chapters are very |
567 | important (not to detract from the value of the rest of the work) if |
568 | one wishes to understand *On the Genealogy of Morals*. |
569 | |
570 | |
571 | ** On the Geneaology of Morals |
572 | |
573 | *Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Nonfiction* |
574 | |
575 | *On the Geneaology of Morals* is a wonderful book of three |
576 | polemical essays on the origin of moral/ethical valuations, and the |
577 | blindness of modern philosphers whose very thinking is tainted by |
578 | these valuations unknowingly. |
579 | |
580 | |
581 | ** Ecce Homo |
582 | |
583 | *Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Nonfiction* |
584 | |
585 | *Ecce Homo* is Nietzsche's very strange autobiography and |
586 | explanation of his own works. At points it is clear that it could have |
587 | used a bit more editing (prevented by Nietzsche ... falling into a |
588 | catatonic state and all), but is still a very useful book to read as |
589 | Nietzsche explains the overall structure of his works. |
590 | |
591 | |
592 | * George Orwell |
593 | |
594 | |
595 | |
596 | ** 1984 |
597 | |
598 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
599 | |
600 | |
601 | |
602 | |
603 | ** Animal Farm |
604 | |
605 | *Fiction* |
606 | |
607 | |
608 | |
609 | |
610 | * Plato |
611 | |
612 | |
613 | |
614 | ** Symposium |
615 | |
616 | *Fiction* |
617 | |
618 | |
619 | |
620 | |
621 | ** Euthyphro |
622 | |
623 | *Fiction* |
624 | |
625 | |
626 | |
627 | |
628 | ** Apology |
629 | |
630 | *Nonfiction* |
631 | |
632 | |
633 | |
634 | |
635 | ** Crito |
636 | |
637 | *Fiction* |
638 | |
639 | |
640 | |
641 | |
642 | ** Phaedo |
643 | |
644 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Nonfiction* |
645 | |
646 | |
647 | |
648 | |
649 | ** Protagoras |
650 | |
651 | *Fiction* |
652 | |
653 | |
654 | |
655 | |
656 | * Luke Rhinehardt |
657 | |
658 | |
659 | |
660 | ** The Dice Man |
661 | |
662 | *Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction* |
663 | |
664 | <quote> |
665 | And it's his illusions about what |
666 | constitutes the real world which are |
667 | inhibiting him... |
668 | His reality, his reason, his society |
669 | ...these are what must be destroyed |
670 | </quote> |
671 | |
672 | A quotation from one of my [[http://en.wikipedia.org/wiki/Slaughter_of_the_Soul][favorite metal songs]] inspired me to grab |
673 | this book; at worst it would be a waste of time. Much reward was found |
674 | in this random stab in the dark. The book is framed as an |
675 | autobiography of the author as a psychoanalyst, and his progression |
676 | through life as a Dice Man after deciding to live his life through |
677 | random chance. |
678 | |
679 | The style, plot, and content are equally neurotic; part comedy, part |
680 | attack on psychoanalysis, and part deep philosophy. It was often |
681 | difficult to put down, and was read in under a week of spare time. |
682 | |
683 | |
684 | * Neal Stephenson |
685 | |
686 | |
687 | |
688 | ** Snow Crash |
689 | |
690 | *Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Fiction* |
691 | |
692 | As one must read the *Bible* to understand English literature, so one |
693 | must read *Snow Crash* today to be a nerd. In the realm of modern pop |
694 | fiction this is one of the better books I've read; it was devoured in |
695 | a mere four nights. Neal Stepheson may not be Milton, but he does come |
696 | up with enganging tales. *Snow Crash* has a nice undertone of (quite |
697 | accurate) political and social commentary that makes it worth reading |
698 | as more than mere cyberpunk fiction. |
699 | |
700 | |
701 | ** Cryptonomicon |
702 | |
703 | *Rating:* <class name="rating-good"> ••••••••</class><class name="rating-bad">•• </class> (8) / *Fiction* |
704 | |
705 | I read *Cryptonomicon* when it was new, and at the time I thought it was |
706 | good. It could have lost a hundred or so pages without detracting from |
707 | the plot, but it was easy reading and didn't take very long to |
708 | finish. The story was enganging, and the continual switching between |
709 | the 1940s and present day slowly unravelled the tale in a nice way. |
710 | |
711 | I'd still have to recommend *Snow Crash* if one wished to read only one |
712 | Stephenson novel. |
713 | |
714 | |
715 | * Bjarne Stroustrup |
716 | |
717 | |
718 | |
719 | ** The C++ Programming Language (3rd edition) |
720 | |
721 | *Nonfiction* |
722 | |
723 | Once upon a time I was fifteen and I read this book. It was more |
724 | or less what taught me how to write programs just large enough to do |
725 | useful things, and so shall forever be remembered by me. A year and a |
726 | half later I stumbled upon a little language called Scheme and fell |
727 | down the rabbit hole. |
728 | |
729 | |
730 | * JRR Tolkien |
731 | |
732 | |
733 | |
734 | ** The Lord of the Rings |
735 | |
736 | *Rating:* <class name="rating-good"> •••••••••</class><class name="rating-bad">• </class> (9) / *Fiction* |
737 | |
738 | |
739 | |
740 | |
741 | ** The Silmarillion |
742 | |
743 | *Rating:* <class name="rating-good"> ••••••••••</class><class name="rating-bad"> </class> (10) / *Fiction* |
744 | |
745 | |
746 | |
747 | |
748 | ** The Lost Tales |
749 | |
750 | *Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction* |
751 | |
752 | |
753 | |
754 | |
755 | * H.G. Wells |
756 | |
757 | |
758 | |
759 | ** The Island of Dr Moreau |
760 | |
761 | *Rating:* <class name="rating-good"> •••••••</class><class name="rating-bad">••• </class> (7) / *Fiction* |
762 | |
763 | |
764 | |